The Painting Reclining Woman on the Beach Essay

The motion picture Reclining Woman on the edge - Essay ExampleThe essay The Painting Reclining Woman on the Beach explores Pablo Picassos painting. This painting Reclining Woman on the Beach has two unambiguous and strongly contrasting elements, the first existence the womanhood and the bound she is lying on, and the second being the mountains and sky that serve as a primer coat to the image. The woman and the beach she is lying on both use thick lines and broad, sweeping curves to define their shapes, spell the mountain tops in the background are jagged geometric affairs like trilateral teeth cutting into the sky, which creates offset parallel strucutures between the sky and the mountains that is, if you mirrored the sky over a horizontal plane of the painting, it would make the shape of the mountains, and the mountains would make the shape of the sky. The coloration in the two primary(prenominal) elements are too vastly different the woman is predominantly pale or pear ly, but has many an(prenominal) dashes of different colors throughout her body, that fade in and out gradually green in slightly places, purple in others and so on. The mountains and sky, on the other hand, are broad swaths of a single color, with the mountains having distinct blotches of fair on them. The jagged mountain tops serve as a geometrical contrast to the curve of the woman, emphasizing her curviness and underscoring the fundamental importance of curves to a womans beauty or form. Furthermore, the lighty changing colors on the womans body could indicate aging, and imply mutability, which combined with her soft curves. contrast with the broad expanses of unchanging colors on the mountains and the sky, reminding the viewer about the corruptibility of beauty and the frailty of life, in particular when compared with the age old mountains that go on essentially unchanged. With all this contrast, Picasso ties together the two elements by treating them with broadly the s ame light and texture to create a unified work out of all of these disparate parts. There are many elements of design present that touch on similar topics to the elements of form. The scale of the woman, who takes up the vast majority of the space on the canvas, both implies the woman is in the foreground (obviously) but also puts her in a relative position of power over the mountains, which are made subordinate by their less imposing size. She even casts a shadow on the mountains, making it appear that they are in fact close behind her and she is simply massive, further reinforcing her importance. The mountains are essentially the same shape, repeated once more and again, which serves to emphasize their regularity and eternal temperament, which calls the viewers attention to how unique the woman reclining on the beach is, that she is one-of-a kind, and that every person, while sharing forma similarities to other people, is completely unique. This composition is notably lacking in white space, with the closest things being the sky in the background and the orange shape that takes up a grammatical constituent of the right side of the screen. This both makes the woman seem to be the negative space, but also gives a crowded compositional element to contrast to the womans apparent ease. The content of this work appears to be an analysis of the womans form, a kind of toying with it that over-emphasizes some shapes while under-emphasizing others. The ratio of the womans head to the rest of her body may be a telling indication of the reduce of the piece, which could be set to objectify the woman who is at its heart. It also touches on themes of beauty, of the unique visual nature of each individual human, and of the soft, changing mutability of human nature in contrast to the